My contributions are fairly hard to describe.
I use dissonance as a means of setting a scene. (kinda like a scene that is not meant to be heart breaking.... but full of dissonance.)
Instead of Samual Barber's Adagio for Strings and Penderecki's Threnody for the Bictims of Hiroshima.
I use the threnody techniques, and impliment traditional sorrow. To advance a morecolourful scene.
In which i got the idea from film music... specifically from films who's music just sounds so bland or uncharacteristic. Which was inspired through this...
My music is not intended for people who wouldn't enjoy it. It's for those who can understand the language of music... i have a vast level of music knowledge and theory, everythibg is as intentional as anything David Lynch has done.
So i am aiming for people to appretiate music for what it is. I hate that people have tastes of music. Music is music. Why discriminate upon your tastes?
I mean, (to use Harry Potter.) JK Rowling is transphobic. The later films have bland music. However the story is what attracted people. Plus the music from the first films made them memorable, much like the Sideways Video points out. (i share that opinion so i am using that as an example.)
But your taste, like so many otherswould prefer the bland 5th to eighth film music because it is so much more thrilling.
The first three films were amazing music they offered characters and such.
This is where my music comes in. Most people are visually compelled by music. It helps them connect with the music a bit easier. Like with Samual Barber's Adagio for Strings, it is undoubtingly known as a sorrowful piece, and has been used in a few films. Yet people don't know as much on Gloomy Sunday. (which is known as the Suicide Song) or even Gorecki's Symphony No. 3 (third movement.
Gorecki is over shadowed by Tchaikovsky's Symphony No. 6. Both are equally horrowing.
However, In my case of music, It is about as wide in spectrum in sound that no matter what film you've seen in your life, i make my music to be like a scene from a film... through auditory perception rather than visual representation. There is subtle nuances that i've taken theough techniques offered by Mahler's Tenth Symphony (unfinished.)
and incorporate the more current sound of metal and dissonant metal. Paired with Xenakis shaped archetecture. :3
tm;dr version... my music is omnigenre. It covers every genre at it's most epistemological level. So simply my music is your taste you just don't realize it on your first listen.